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"Just as unique as you are"
 

 
 

Further examples to tempt you; same terms and conditions as on the previous pages. And again...just a reminder: we guarantee each piece to be as described, we accept payments by PayPal and personal check, major credit cards are accepted through PayPal and as well, we have a very liberal lay-a-way policy. If you have any questions or need a larger photograph, we're just a click away!!

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The Meadows Collection
Adela & Mark Meadows

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French T
aste-Vin Pipette

This is an example of the other form of taste-vin.

This is known as a taste-vin pipette. It is essentially a tube used to syphon wine through the bung hole of a barrel so that the wine can be sampled and analyzed while it is still in the barrel. They are also called a sonde à vin or wine probe. The handle has a wonderful patina, the glass tube is in mint condition. It measures 19.75 inches long and .8125 inches wide without the handle, 3.5 inches wide with the handle.

French Glass Bondé or Wine Barrel Stopper


The making of wine requires all sorts of interesting paraphenalia. This is not a paperweight...it's a glass stopper known as a bondé used to plug a hole drilled into the top of a wine barrel. When the time came for testing and analysis, the bondé...or bung, as it is known in English...is removed and the taste-vin pipette is used to remove some of the wine from the barrel.

It measures 4.125 inches high, 2 inch diameter at the top, and 1.5 inch diameter at the base. The lower portion was lightly ground to form a perfect fit into the hole in the barrel, the large interior bubble is surrounded by several bubbles that are much smaller. The end of the base has one small chip and one teeny chip.

Vintage Photograph of Wine-Tasting

The wine baskets are empty and the glasses are full, so perhaps this colorful group of men are celebrating the sale of the grapes just gathered from the vineyard.

The harvesting of grapes is known as a vendange and, going by the clothing, it looks as if the man in the foreground wearing a white suit and sitting with the dog and the man in the black hat in the left background didn't do any of the picking. That was probably left to the others.

The image is a vintage albumen print, so called because eggs whites or albumen are used in the process of making the photographic image, and dates from circa 1890.

The sight size of the photograph is 6.5 inches high by 4.625 inches wide. It is in its original 10.5 inch by 8.25 inch wood frame.
 



Vintage Studio Lightbulb

I'm ready for my close-up, Mr. DeMille.

This is actually a vintage lightbulb
used for location and studio lighting, but displayed as it is, it would be a fabulously decorative item for a modern industrial décor. It has great sculptural appeal!

English, it is marked on the top as shown...GEC for General Electric Company perhaps?

The bulb alone measures  10.5 inches high and 6 inches wide; when set on the stand, the display measures 14.5625 inches high and 13 inches deep.

Catteau Mystery Vase

This is a great vase...but it's sort of a mystery. It appears to an early piece of Belgian art pottery and it is signed Catteau on the base; several experts in the field of twentieth-century ceramics are willing to attest to an attribution to Charles Catteau, but documentation of Catteau's early work for Boch Frères is sorely lacking, and thus, for me, it remains sort of a mystery.

Charles Catteau (1880-1966) was a French artist and designer. He created designs to be used on ceramics for the Sèvres and Rambervillers factories in France and the Nymphenburg pottery in Germany, but is best known for his work in Saint Vaast-La Louvière (Belgium) for the firm known as Boch Frères. He began his career at Boch Frères in early 1907 and moved up the corporate ladder very quickly...winning a gold medal at salons as early as 1910.

But very little is known of his work during this part of his tenure with Boch Frères...the area was hard hit during World War I...and just about all remaining  documentation deals with the later Art Déco period beginning in the 1920s. (He was to oversee the creation of more than 2000 patterns before retiring from Boch Frères in 1950).

So whether it is a Charles Catteau piece or not remains a mystery.

What is not a mystery is that it is a wonderful piece of art pottery.

The glaze has been applied to the earthenware body so that it is raised to the touch...giving the vase great tactile as well as visual appeal.

The floral design seems to bridge the lines of Art Nouveau and Art Déco...not quite the formal sinuous motifs Catteau created for the Sèvres factory circa 1900 and not yet the angular patterns of those he produced at Boch Frères circa 1925.

It measures 6.675 inches high, 5 inches wide, and is in mint condition.


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